 As part of #the100dayproject I decided to treat myself to the online Field Notes workshop by Rae Missigman. I was able to use supplies from around the house, from an old book that was falling apart to printer paper, file folders & ribbons to a shopping bag, parchment paper & masking tape and, of course, art supplies. The workshop is lovely & easy to follow and I can't wait to fill these pages now that spring is here!
 I think I'm finally over my creative block with the 'Women of the West' series. I had struggled with pushing past my fear of making a mistake and decided to paint the backgrounds a mottled solid colour...this way when they're exhibited, it might look like a quilt. I also decided to add their names to their portraits as I want people to know who they are without reading anything else. Names are important. I had considered using different fonts and different colours, but, in the end, chose to use my own handwriting along with a dip pen and Dr. PH Martin Pen White Ink and I'm so happy with the results. I've tried so many different whites and different pens, but I am so pleased with this as it looks vintage and contemporary all at the same time. Once these have cured well, I will protect them with a coat of Dorlands Wax. Can't wait to start painting more inspiring women.    When my husband & I travelled to England to visit our daughter last summer, I brought her some cotton fabric by a designer in Edmonton, Alberta (just north of us) as she has worked with Brett Lewis fabrics before and we both just love the prints. I had selected this one from his last collection titled 'Water's Edge' because of the herons (and frogs and turtles) as herons visit our creek regularly. I hadn't purchased quite enough so we picked up some navy eyelet lace and she, as she does, altered the pattern to accommodate that shift. Even though she has been sewing everything by hand using French seams (double sewing each) while completing her Master's Degree in Holocaust Studies and beginning employment at the Wiener Holocaust Library & Archives, she managed to create a beautiful dress. Northcott Fabrics, who represent Brett, has again offered to send her fabric from his latest collection titled 'Ornithology'...so exciting! There are images of her previous makes below:  Water's Edge
 Recently, my husband asked if I could help him rearrange his office to make it more functional but also more attractive. I love decorating and organizing so this made me happy...plus, we went for a nice lunch, did some shopping and visited a gallery. Win-Win. His desk has always sat too close to the windows, which is cold in winter and hot summer; he wasn't able to access some of the drawers unless he moved things; and he always felt hemmed in. So we moved things around a bit which left another blanks space for artwork...something I'm always happy to share. It's nice when a group of smaller pieces can emulate a larger one. Larger pieces are on the left wall and I'm so glad that he likes to hang my work in his space and occasionally switches pieces out. :)   During the pandemic, I had created a body of work titled 'Extraordinary Women' which featured Canadian women who were inspiring...one of them was NDP MLA Janis Irwin. She was a teacher/vice-principal in her previous life and stands up for vulnerable communities, public education & healthcare, all things that are so important to me. So I was very happy when she tagged me in a photo taken with my newest work at Bluerock Gallery recently. Thanks Janis!
 With the way things are going in North America right now, and with how I feel about using locally sourced, environmentally friendly materials while supporting women-owned businesses, I have really begun to delve into my Beam paints. As with anything I do, I realized that the only way I can become comfortable with my tools and materials is by immersing myself in them which begins with swatching and continues with painting. These days I've been trying out different skin tone mixes and playing with shimmer in my work using the palette I have. This is where my sketchbooks come in very handily.
I still prefer the Handbook Journal Co. sketchbooks in 3.5" x 5.5" in landscape & portrait format or the 5.5" x 5.5" square. There are several reasons I prefer them...I like the smooth, cream paper; the fact that they have many more pages than a watercolour sketchbook so they dry faster when I'm on the go; the hard covers so that I can paint while standing, if required; the inside back pocket which fits an Art Toolkit Demi or Pocket palette; and the elastic band to keep everything safe and secure. I also don't mind if the acid free pages buckle a bit if I add more water...in fact, I think it gives the sketchbook character. I only wish I could find a Canadian sketchbook just like this.  I've been shifting further and further away from plastics in my work and wanting to support Canadian female businesses owners, which led me to experimenting with Beam Paints which is an Indigenous owned business located on Manitoulin Island in Ontario. They harvest minerals and local Maple tree sap and package everything in waxed canvas or recycled paper. I'm getting one more paint stone to complete my collection (Mars Violet), which is a combination of watercolour and gouache paints.. It's also ben fun to incorporate some sparkle into my work so the ethical mica that's been added to some of the colours is wonderful.
My current palette in a Kaweco tin:
 This week was the unveiling of 'Community' at TC Energy in Airdrie and it was lovely. People are always so encouraging and it's fun to hear their responses. Everyone couldn't wait to take a close look to see if they could find their contribution to the original layer. I always enjoy beginning a project with the contribution of others, particularly in something like this which will live in the workplace of all of the employees who contributed. Though I'm not usually a big fan of commissions, there are some which are a real privilege and pleasure...this was one of them. During my Artist Residency at Sparrow Artspace in Calgary almost 2 years ago, I had incorporated embroidery in one of my pieces and got to re-visit that in this work. Handwork was my earliest introduction to the arts and an extremely important part of my South American family history. I've been incorporating that into my work more and more and I am loving it. It's so fun to document the process, especially when things change quite a bit throughout it. SYMBOLS: Background colours: Predominately blue and green to represent TC Energy and nature with images of leaves and sparrows using stencils. All of the colours are incorporated throughout and certain marks/patterns are repeated in some respect Border: PRIDE colours with the triangle representing POC, HIV, Trans and Non-Binary people is represented at the bottom. Top Left: Medicine Wheel to represent the Debwewin Indigenous Group. Top Right & Center Left: Poppies to represent the Veteran’s Group. Top Right (under poppy): Inspired by Black History Month on the TC Energy website to include the colours orange, red, green & black along with the stitching marks to represent the Ujima Black Employee Group Bottom Left: the goddess Athena to represent TCE Women Bottom Right: Embroidery to represent Unidos Latin & Hispanic Group – I incorporated a few embroidery patterns from family who was born in South America  TC Energy Unveiling  I created my first tiny travel palette by using a mini Altoids tin that my husband gave me and retrofiting 3 full pans so that I could bring lots of paint in primary colours on travels. I've also tried several different water brushes so I thought I'd share why these are my favourites. PALETTES: Both are small, light and take up very little space which makes them easy to t |
