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Journal.

Glenbow Museum: Eleanor Bond

2/27/2020

 
Picture
“Well, I suppose nothing is meant to last forever. We have to make room for other people. It’s a wheel. You get on, you have to go to the end. And then somebody has the same opportunity to go to the end and so on.” – Vivian Maier

Last week I joined a couple of friends for a visit to view the Vivian Maier photography exhibit at  the Glenbow Museum. It was fascinating as she was a nanny living in New York and her work wasn't found until recently. She used a Leica camera to take photos of the people in the streets around her, and used reflections in mirrors and windows to create a number of interesting self-portraits. Some of her photographs were difficult for me to look at as she captured personal moments in people's lives, something that I wasn't comfortable with, though she did document what was happening around her. There were four photographs in particular that felt voyeuristic or intruding...a woman in her bra and girdle in a changing room (she captured all her skin folds which is really a testament to how we change and hide our real bodies), a disfigured man on a public telephone (on the side of his face all you could see was a hole where his ear had been), a man sleeping on a park bench (he was in a suit and coat but looked as though he wasn't in control of his situation) and finally, a woman lying on the ground being tended to by police (I think?) and surrounded by onlookers. These were really personal moments and I felt torn because it is important to document life as it is, but I don't think it should be done without a person's consent.  

In any case, I also came across this large painting by Canadian artist Eleanor Bond. I've seen it in the past and it  captured my attention then, but I think it captivated me even more so now that I've been working on cityscapes. I also viewed her work at the Winnipeg Art Gallery many years ago, but just made the connection again. I love the idea of creating worlds that combine cities and nature and the massive size of her substrates has always fascinated me. I remember visiting the WAG and being mesmerized by the interesting perspectives and subject matter. I have always dreamed of painting something that large, something that draws the viewer in like her work does. Maybe someday...

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  • Journal
  • Portfolio
    • Curriculum Vitae
    • Portraits >
      • Woman's Work
      • Extraordinary Women
      • The Grandmothers
      • Wunderland
      • Nasty Women
      • Heroes
    • 52 WEEKS >
      • Wildlife
      • Wildflowers
      • Storytellers
      • Gratitude
    • Fashion Plates
    • Sacred Vessel
    • Simple Pleasures
    • Altered Books
    • Free Art Resources
  • Galleries
  • Contact
  • eCourses
  • Login
    • Painting Animals
    • Painting Art Journals
    • Painting Backgrounds
    • Painting Bees
    • Painting Canoes
    • Painting CityScapes
    • Painting Flowers
    • Painting Hearts & Houses
    • Painting Landscapes
    • Painting Portraits