I’m 1/3 of the way through my perpetual journal for the year, and continue to look forward to working on it each week. It has surprised me to realize how many different plants we have in our garden and the fact that there are still so many to document. I enjoy the fact that I’m using an extremely limited palette of eight colours as it is making the project cohesive and allows me to be creative in colour mixing and application. I have never liked being ‘beholden’ to realism, so this is a lovely way for me to keep working in the manner that I prefer.

In interviews, I have often been asked if Funk is my real name or just an art name as my work is so ‘funky’…it is my name, but I do like that they have pointed out the connection. Earlier this week, I heard someone say, “I am unapologetic about what I desire and I trust that what I focus on will grow.” Trusting myself as an artist does not always come easily for me, but this quote feels relevant, particularly in regards to this project.

It is surprising how often one sentence, jotted in a notebook,
leads immediately to a second sentence. A plot
can develop as you write notes. Close the notebook and
think about it for a few days – and then presto! you’re
ready to write a short story.

Even in our unusual microclimate in the foothills of the Rocky Mountains, we have always been able to grow grapes which I’ve added to make jams, syrups, and jellies as it is a great organic thickener. The birds love them, too. Grapes have anti-oxidant properties which prevent blood clots and naturally regulate insulin. This particular hybridized plant is part of the vitis riparia family (aka riverbank or frost grape), a cold weather blue-black berry which can be quite sour, and is known as the Valiant. They definitely have enjoyed our early wet summer and warmer autumn weather as the vines are full of these small fruit.

When I began using handmade paints, I was hesitant to adopt them fully in my practice because I wasn’t comfortable with the feeling of the paint that is left on the paper. Instead of smooth watercolour that is absorbed into paper, these paints tend to sit on top of the paper and leave a slightly coarse texture behind. As I continued to explore different options for more natural art supplies, I found myself being drawn to these particular paints more and more. The colours are vibrant and, though they behave differently than commercial watercolours, I am very happy with the way they create a variety of marks and can be manipulated even after they have been laid down on the surface. This has been such a nice surprise and I’m grateful that I didn’t give up. My favourites are Beam Paints (Canadian), Case for Making, and Natural Earth Paints (which I mix myself).

“ The young Horse Chestnuts along the little watercourse are nearly twice the size they were last summer, when cruel winds had left them only a few ragged discoloured leaves. The flower-spikes of a Chestnut within the garden measure near a foot in length. The great red Horse Chestnut (Pavias rubra) is red all over; it is a mass of blossom almost from the ground upwards to the very top. The tree is a fine sight, and if it were not so common one scarcely should tire of admiring it. The season makes a great difference in the colouring of the blossoms. ”

~ E.V.B., Days and hours in a garden (1896)